We are in conversation with US-born photographic artist David Stephenson, who received an MFA from the University of New Mexico in 1982 before taking a teaching position at the University of Tasmania’s School of Art. His work has consistently explored the sublime, in relation to his transcendental experience of place.

With an ongoing interest in human interventions in the landscape, David arrived in Tasmania in the lead-up to the Franklin Dam blockade and continues to document Tasmania’s contested places. He also experiments with the different ways the photographic image, and different subject matters, can represent time.

In part one, painter and printmaker Raymond Arnold shares why Tasmania is such an important landscape and how it became an environmental batttleground.